Artists



Nühn Records is not just a label — it is a resonance platform for voices that move between the intimate, the raw, and the sensorially expansive. Our mission is to host artists who don’t aim to fit into pre-established genres, but instead expand the limits of sound, challenging both form and content. We are driven by a collective vision that values creative risk, uncompromising experimentation, and the cultivation of a personal sonic language.

At Nühn, we believe every artist is a world in the making. We stand beside those who see music as an extension of their emotional and philosophical identity, offering them complete freedom to explore their most personal visions. We are drawn to introspective soundscapes as much as to club-ready rhythms that emerge from an honest and organic sensitivity.

Through our releases, events, digital residencies, and collaborative projects like No Records (our experimental sub-label). We do not sign artists based on trend, but on expressive necessity. We work closely with them to provide not only distribution and visibility, but a fertile ground where every stage of the creative process is honored and nurtured.

Nühn seeks artists who want to build something enduring, conceptually and emotionally coherent. We look for substance behind the style, intention behind the rhythm. And we also look for those yet to come — new voices willing to listen to themselves and disobey what’s been established.

There are no hierarchies here. No formulas.
Only one ongoing question:
What else can music become?

𒊹 ROSTER 



𒊹 FEATURED ARTIST

K_OZ OFFICE | MACHINE 26 Sequel

In the ever-evolving landscape of underground electronic and post-punk music, few artists embody the spirit of sonic exploration as thoroughly as Floch, the enigmatic mind behind Machine 26. Known for crafting dystopian textures through analog hardware, minimalist sequencing, and vocal distortions that traverse between the mechanical and the mournful, Floch has forged a distinct identity at the intersection of electro-industrial minimalism and coldwave decay. Now, this seasoned artist is poised to reenter the world of band dynamics as a central figure in K-Oz Office, a Brussels-rooted collective with a rich history and a shared creative ethos. What once began in 1986 under the name Brain Damage, with its hard-edged post-punk rawness, transformed into K-Oz Office after the tragic death of their bassist in 1992—a pivotal moment that sparked reinvention rather than retreat. By 1994, Floch had already become a defining presence in the project, serving not only as guitarist and frontman but also as one of its principal conceptual architects. K-Oz Office is not a side-project—it is a deep-rooted artistic organism, pulsating with decades of countercultural resonance. Their prior album, Rage Rage Rage, captured the band’s core aesthetic: a raw-yet-calculated hybrid of post-industrial rhythms, nervous minimal wave motifs, and emotionally detached vocal deliveries. With Floch reentering the fold for this upcoming release, the band has transcended the usual reunion trope. This is not nostalgia—this is evolution through convergence. Scheduled for release in September, the forthcoming K-Oz Office album sees Floch not merely returning, but recomposing the architecture of the group from within. With an expanded arsenal of modular synths, drum machines, granular sampling techniques, and a sharpened ear for narrative progression, he brings a rigorous producer's sensibility to a traditionally guitar-driven framework. This synthesis of methodologies—Floch’s analog fetishism and the band’s DIY punk roots—promises an album that is as conceptually bold as it is viscerally arresting.

Expect intricately layered tracks where rhythm sequencing draws from EBM and glitch, guitars are recontextualized as rhythmic bursts or drones, and vocals oscillate between existential lament and biting socio-political critique. This new iteration of K-Oz Office channels the cybernetic paranoia of early Skinny Puppy, the noir romanticism of Asylum Party, and the anti-pop ethos of Liaisons Dangereuses—all filtered through Floch’s distinctive post-digital aesthetic.credits